By Vicki Hearne
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Library of Congress keep watch over quantity: 2011927622
Student variation: ISBN-13: 9781111835491 ISBN-10: 1111835497
Loose-leaf variation: ISBN-13: 9781133310273 ISBN-10: 1133310273
PSYCHOLOGY: innovations AND purposes, Fourth version, makes use of a different, confirmed studying process that makes it more straightforward and extra stress-free that you should examine what you want to study and reach your psychology direction. writer Jeff Nevid presents a vast view of psychology that incorporates background, significant theories, study tools, and learn findings in addition to functions of up to date examine to the demanding situations you face in way of life. The text's modular layout organizes every one bankruptcy into possible devices that assist you specialise in one subject at a time in the context of a bigger bankruptcy constitution. The educating units during this textual content are an outgrowth of study on reminiscence, studying, and textbook pedagogy. As you learn, you'll make the most of Nevid's "Four E's of potent Learning," via beneficial properties that may interact your curiosity and assist you Encode info, intricate which means, and assessment your growth.
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Extra info for Animal Happiness: A Moving Exploration of Animals and Their Emotions
The lead hound has all this presence. ” Blandford is a foxhound with the Santa Fe Hunt, which carries on an aristocratic tradition, but he keeps being not quite consonant with this tradition. He has, for one thing, an odd way of moving, more like the rawboned, loose-limbed critters of the yarns told in the American South than like the elegant hounds in English paintings, with their smoothly articulated appearance. He has an odd way of looking at you, too. ” When I met him, the riders, horses, and hounds were returning from a morning spent clattering across a rocky but inviting landscape just inland from the coast.
Back in California, there had been this kid named Rob Gage, and I would wonder about him, as I wondered about all the junior riders, whether he would turn out to be for real. When they’re young, it’s hard to tell just by watching them whether they’ve got the real stuff, because they can get by with being merely superbly athletic, and because they haven’t yet learned about morality. And suddenly it was 1985, and I was in New York, and the announcer was saying that the next horse on the course was Largo, ridden by Rob Gage.
In fact, it wasn’t there; as I later learned, the copy was already at the printer’s when Gage rode the Grand Prix course at Baltimore, the show in which he would either win or lose, not only the one class, but also the title and thus the chance to ride at the Garden. Gage was then thirty-three, still too young for one to be able to see in his face what one sees in the faces of the older horsemen of authentic hearts and minds. But here is something I learned about horses and horse shows at the Garden that I never noticed in the appropriately landscaped shows in southern California: A horse show is an uneasy place for anyone who is sensitive to the difference between real horsemanship and fake variations.